King Von’s "Took Her To The O": The Full Uncensored Story Behind The Controversial Lyrics And Lawsuit
King Von’s "Took Her to the O" remains one of the most compelling and controversial songs in the history of Chicago drill music, not just for its gripping narrative, but for its alleged real-life connections that continue to surface years after its release. As of
The song, a standout from his 2020 album *Levon James*, is a masterful example of street storytelling, delivered with King Von’s signature aggressive flow. It details a dramatic, cinematic encounter that starts with a seemingly casual meeting and escalates into a violent confrontation, all centered around the notorious O-Block—the heart of Von’s world.
The Life and Tragic Legacy of Dayvon Daquan Bennett (King Von)
The man behind the music, King Von, was a pivotal figure whose art was inseparable from his life in the streets of Chicago. His rapid ascent in the music world was tragically cut short, but his detailed, narrative-driven songs cemented his place as a legend in the drill genre.
- Real Name: Dayvon Daquan Bennett
- Born: August 9, 1994, in Chicago, Illinois
- Primary Residence: Parkway Gardens (known locally as O-Block or WIIIC City), located in the Greater Grand Crossing area of Chicago’s South Side.
- Record Label: Only the Family (OTF), founded by his close friend and mentor, Lil Durk, and Empire Distribution.
- Debut Album: *Grandson, Vol. 1* (2019)
- Key Release: *"Took Her to the O"* (February 21, 2020) from the album *Levon James*.
- Date of Death: November 6, 2020
- Location of Death: Atlanta, Georgia
- Cause of Death: Gunshot wounds following an altercation outside a lounge.
Von’s music, including "Took Her to the O," is often described as "reality rap," where every line is scrutinized for clues about real events and rivalries. This blurring of lines between art and reality is central to the song's enduring controversy.
Deconstructing the Narrative: The O-Block and the Controversial Encounter
The title itself, "Took Her to the O," is a direct reference to O-Block, the nickname for the Parkway Gardens complex where King Von grew up. The "O" stands for Odee Perry, a young man from the area who was killed in 2011. The location is more than just a setting; it is a symbol of loyalty, territory, and the constant threat of violence that defines the Chicago drill scene.
The Setup: “Just got some top from this stripper bitch, she from Kankakee”
The song opens with Von meeting a woman, a stripper from Kankakee, a city south of Chicago. This seemingly insignificant detail sets a casual, almost boastful tone. However, the narrative quickly shifts when the woman reveals her connection to a rival faction. The lyrics detail Von taking her back to his territory, the O-Block, a deliberate act of showing dominance and testing the boundaries of the street code.
The Climax: The "Duck" Reference and the Self-Snitching Debate
The most shocking and controversial part of the song is the climax, where Von’s character realizes the woman is connected to his enemies. The lyrics describe a violent encounter, which many listeners immediately connected to the 2020 murder of rival rapper FBG Duck. The line, which references a fatal shooting, became a lightning rod for criticism and a key piece of evidence in the ongoing debate about "self-snitching" in drill music—the practice of rappers openly detailing criminal acts in their lyrics.
While Von never explicitly confirmed the lyrics were a literal confession, the detail and aggression of the storytelling made it chillingly plausible for many fans and critics. This style of detailed, first-person narrative is what separated King Von from many of his peers, but it also placed his work under an unprecedented legal and cultural microscope.
The Legal Fallout: Why "Took Her to the O" Is Still Making News
The controversy surrounding the song escalated significantly with the death of FBG Duck in August 2020. In the years following, the lyrics of "Took Her to the O" have become a central element in legal proceedings, highlighting the real-world consequences of reality rap.
The FBG Duck Mother’s Lawsuit
In a major legal development, the mother of FBG Duck filed a lawsuit against Lil Durk and his Only the Family (OTF) label, citing "Took Her to the O" as evidence of a culture that promotes and profits from violence against rivals. The lawsuit alleges that King Von’s lyrics directly referenced the killing of her son, using the song as part of a pattern of "reality rap" that allegedly incites violence.
This legal action is a critical moment for the entire genre. It forces a public debate on the line between artistic expression and criminal incitement. The core question being asked in court is whether the hyper-detailed, violent narratives of drill music, exemplified by Von's work, cross the legal threshold into actionable threats or evidence of conspiracy.
Topical Authority and Key Entities in the Von Universe
To fully understand the weight of "Took Her to the O," one must grasp the network of entities and cultural touchpoints Von references:
- Drill Music: The subgenre of trap music originating in Chicago, known for its dark, violent, and realistic lyrical content.
- OTF (Only The Family): The collective and record label founded by Lil Durk, which served as King Von’s main platform.
- Parkway Gardens: The official name of the low-income housing complex, also known as O-Block, which is central to Von's identity and the song's setting.
- Lil Durk: Von’s mentor, a prominent figure in the drill scene, and the head of OTF.
- Levon James: The 2020 mixtape from which the song was released, a project that solidified Von’s star power.
- Empire Distribution: The label that distributed King Von’s music, including the controversial single.
Ultimately, "Took Her to the O" is more than just a hit song; it is a raw, unvarnished piece of documentation from a world few outsiders ever see. It is a grim testament to the cycle of violence in the South Side of Chicago, and its lyrics continue to resonate with real-world consequences, making it one of the most talked-about and legally scrutinized tracks of the modern rap era.
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